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Solfege and Using a Ukulele Neck Floor Diagram with the Do-Re-Mi Song

https://www.youtube.com/watch?v=8Jy3h-EAZtI

Hello, welcome ukulelists and ukulele teachers! I am John from John’s Ukulele Cafe’. This post is for ukulele teachers or those that would like to get to know the ukulele neck better. These videos and posts will be part of a content segment of mine called the Teacher’s Lounge where we will talk music pedagogy. Pedagogy is - The art or profession of teaching

Starting with this post, I will begin to feature more songs that I use in my own ukulele teaching. Do-Re-Mi is definitely one of those songs. In conjunction with this song, if you teach music and have enough floor space you should try to create a ukulele neck on your floor! (see video link above for diagram)

Do-Re-Mi is an awesome song to get students more comfortable with learning ukulele notes, scales, as well as introducing solfege and I’ll show you how I use it in this post.

Ok, here’s how I made this on the floor. Having a tile floor with 1’x1’ tiles is going to be the easiest way to get your grid started. Firstly, I ordered two rolls of orange duct tape on Amazon. I chose orange so that it stood out and was easy to see when stepping on the strings or frets. In total to get an octave on the floor you will need a floor space of about 14’ x 5’

I center the tape directly in the middle of two squares when placing it on the floor. You’ll need about this much space so that you can stand where the nut would be if representing the open notes of the ukulele. I also had some extra round stickers that I placed in the squares to represent the fret dots.

Do-Re-Mi is a song from the Sound of Music - written by Rogers and Hammerstein and was originally recorded in the key of Bb for Julie Andrews but most teachers begin teaching this song in the key of C - especially those that teach fixed Do. I recommend teaching the song in the key of C if possible (especially if on C tuning on ukulele.) Thankfully, the song is written in the key of C in the Daily Ukulele book. Hammerstein did an awesome job with the lyrics making it super easy to remember the solfege syllables with the lyrical imagery to support each syllable. 

Do - Deer 

Re - Drop of Golden Sun

Me - A name I call myself 

Fa - A long long way to run 

A good way to remember the rhyming scheme is - the lines of words are generally organized by ABAB rhyming couplets. 

I use this song with students ages 5 to 12. I myself am pretty new to using solfege but was exposed to it during a eurhythmics course over this past summer. I have found that solfege really helps students with music reading and introducing singing with vowel sounds. 


I use this song in conjunction with the ukulele floor diagram to familiarize students with solfege and get to know musical scales on the ukulele neck away from the instrument first. When using this, students get a chance to explore the ukulele neck in a very tactile way even before picking up the instrument. I would describe this process as someone walking a trail in the forest and taking pictures or notes of what they see along the way.   

There is a quote from the Canadian teacher Peter Luongo that is: Play notes on the ukulele neck vertically for speed but play the notes horizontally for understanding. I have students learn scales horizontally first and then have them learn where the strings overlap later to get their scales faster.  

When I use the floor chart at first, I have the student jump inside of the squares and not on the strings. b/c their targets are larger than on the strings (kids know what hopscotch is pretty well before coming to lessons). I usually walk them through the spaces we will be jumping in without the song first while saying the syllables. Having stickers on the floor where the fret markers go can help make the terrain more recognizable.

I also explain that the most of the jumps they’ll make will be two squares away except for those following syllables Mi and Ti - that is something else I learned by moving on the floor chart. That is learning by doing - moving through space. 

After students are more comfortable with moving in this way, I have them stand in the exact place on the C string where they would place their finger down (in their fretting hand) behind each fret.  We will walk/hop along on that string. After that, I have them ONLY play the notes on the ukulele neck while standing in place. Finally, I challenge them to play the notes on the neck AND hop to those notes on the floor at the SAME TIME for understanding. 

Once students have more of an understanding of the notes on the other strings, I will have them play the vertical version (compact scale) up the neck.

Some further activities you can do with the floor is to try out other scales - G scale, F scale, A minor etc. I also have the students say the solfege syllables on those scales. If you have a group class and you need to have two students on the ukulele neck at the same time, you could have them face each other on their respective C strings (strings side by side). 

As another activity, you could call out notes on the ukulele neck and have the students find those notes. If they are more intermediate, have them find ALL of those notes on the ukulele neck. For instance all of the C’s, F’s, G’s etc. This could easily turn into a game where you have the students roll dice that have the note names as well as notes with sharps or flats.

A hidden perk of this song is that Do-Re-Mi helps us teachers learn the harmonized major scale. A very handy tool to make music with your students as they learn their scales. 


Note: You will want to MEMORIZE this song if you are out on the floor with your students.  

This song has chords that fit into a harmonized scale as you ascend up the scale (the first half at least). 

C   D   E  F                                      G       A        B          C

C  G7  C  F                                     C(F)  D7(G) E7…   C

The second half of the scale ascends by step (every two chords) C, D7, E7 but also moves in a dominant tonic motion that will help you remember the chords that way too. When I play this, the chords aren’t too hard to remember because the chord shapes generally change by one finger at a time. For instance: 

G to E7 chord, Am to C7, F to Dm 

In short, this is a great song to have in your memorized repertoire as a teacher. Something you can pull out at any time especially for those students that like to move around.  

Lastly, I would like to hear from you all. Are you a ukulele teacher and if you are how could you use the ukulele floor diagram in your lessons or group classes? Comment below. I’d love to hear your responses!


https://www.youtube.com/watch?v=8Jy3h-EAZtI

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Starting Over (Again)

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Starting Over (Again)

John: Laura and I are super excited to start lessons up again! Laura was able to travel to NCKP (National Conference on Keyboard Pedagogy) over the summer and catch up with what is going on in the piano world. She took away many great ideas but found two two fantastic resources; Tim Topham’s - The Inner Circle piano membership and the My Music Staff website. Both have changed how we have conducted our teaching for the past decade. The Inner Circle is a great resource for all teachers (not just piano) that covers in-lesson topics as well as business help with growing your music studio. We have decided to try it out for this year to help us grow and save us lots of time with the material that has been provided.We have begun just checking out the Inner Circle and it looks very promising.  Do you know that feeling you get from going to a music conference and feeling invigorated and refreshed? Imagine feeling that way almost every day in finding new repertoire, chatting with other professionals, and taking video courses.  I myself am not a piano player but I do teach keyboard and string instruments. I look forward to learning as much as I can from this site and I think everyone should try it out for at least for the first month. It does after all have a 30-day money back guarantee.  Inner Circle

inner circle.png


My Music Staff (MMS) is a website that allows teachers to communicate easily with their students and their families.  Imagine that instead of sending students/parents website links, dropbox links, calendar links, autopay links etc.. MMS combines all of these elements into one nifty website.  The best part is that you can make your studio calendar, lesson notes, and track tuition payments with your clients. No more lost assignment sheets, or missed performance times, or lost checks.  It does take a bit of time to set these things up but well worth having ONE resource for students and their families. It also will (optionally) text your assignments to students on their phone as well as their parents. mymusicstaff


my music staff.png

This is our fourth year teaching music in Madison County and we can’t wait to continue making unique programs, giving students creative opportunities, and embracing technology to its fullest.  We will be posting our first music event very soon. ‘Start spreading the news!’

John and student Isaac S

John and student Isaac S


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Fill in the Reel

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Fill in the Reel

School began a few weeks ago, and our A4M students have started working on new music for the third annual 'Sounds of Silents' event ( mark your calendars for November 1! ). To help motivate students to practice with intentionality and care, John and I have created the "Fill in the Reel" practice challenge.  As you can see below, each student has a "reel board" on the studio wall which includes a border of large slides and small ticks.  Students may fill in a tick for each five minutes practiced, attending a lesson, bringing lesson materials, and completing written activities.  Slides are filled in after earning 30 tally marks (a successfully met goal) or 60 dots (not quite a success).  We want our students to set attainable goals each time they practice and  evaluate their own playing so they know how much they're progressing at home.  

Reel boards of Laura's piano students.

Reel boards of Laura's piano students.

Roger practicing the marimba with mallet and pencil in hand. 

Roger practicing the marimba with mallet and pencil in hand. 

The tally mark/dot practice method was not my original idea.  I am thankful that I attended Sarah Lyngra's workshop at the 2013 National Conference on Keyboard Pedagogy. She explained her method using post-it notes to help students set clear visual goals directly on their sheet music.  See Roger below: his goal was to play through the first line of music with no stops and clear articulation.  At this point in his practice, he saw more unsuccessful attempts, so he needed to change something about the goal.  Slow down the tempo? Practice a shorter section perhaps? 

Roger marking a dot for an unsuccessful attempt.

Roger marking a dot for an unsuccessful attempt.

On average, students are earning between 20-30 tally marks and dots in each lesson.  Therefore, we expect everyone to earn more in their practice at home.  Although it is one more thing for a student to keep track of, this system really pays off!  It has been rewarding to see students realize their own successes and challenges.  In addition, students can show parents these marks as an effective way to communicate how their practice is going at home.

We are offering a few rewards for students who complete their reel boards with movie-related themes, but it seems that once they start to see measurable progress, it motivates them to spend more time "filling in the reel".  

Our next post up will be all about the 'Sounds of Silents' event.  We've chosen Buster Keaton's Sherlock, Jr., Florence Turner's Daisy Doodad's Dial, Winsor McCay's The Flying House, and Lotte Reiniger's Cinderella.  Stay tuned!

 

 

 

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Piano Lessons are Good for You

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Piano Lessons are Good for You

Not sure if piano lessons will fit in your busy schedule?  Here is an incredible infographic that demonstrates countless benefits of studying the piano.  

Of course, one of the perks for me is being able to make music with my sisters, Sarah and Marylee. 

Are you convinced now?

 

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The Fabulous Frisco French Horns

As well as teaching piano, I enjoy playing for band events in the area as a piano accompanist.  No, I am not going to complain about the quality of the piano, late payments, or the difficulty of Gliere's horn concerto piano reduction.  Instead, I want to highlight some amazing players from Frisco High School, located about 14 miles west of our studio in Allen.

My friend and colleague, Mike Wharton, who toured with me in The Kings Brass, recommended me to the FHS directors, but I was hesitant about playing for additional events around the same time as Allen High School's event.  Since I'm always up for a challenge, I took on 22 students in addition to my 32 in Allen.  Although I spent 3-4 hours a day learning scores, it was a huge payoff when I began rehearsals...especially with the french horns in Frisco!

Now, I know absolutely nothing about the french horn, except the transposition to concert pitch.  So, this is not a post about how well they hit the "partials" but about the musicianship of the players.  It is a pianist's dream to play for anyone (amateur or professional) that has an understanding of the whole score, not just their own part, and especially enjoys what they are playing.  I knew immediately that they must all have an awesome teacher.  After brief interviews with Drew Hayes and Annie Ratner, I learned that Hailey Hoops of the Dallas Symphony is a teacher to many in the section.  Nathaniel Meeks, Abigail McCallum, and Kaleigh Gallant were the other great players I didn't have a chance to interview.

Performing Bozza's 'En Foret'

Performing Bozza's 'En Foret'

Also, the majority of the section is in the Wind Symphony of the Greater Dallas Youth Orchestra, which brings back memories of my days in the Central Kentucky Youth Orchestra.  I know that experience was crucial to my development of an artist.  

When I asked Drew and Annie who their greatest inspiration is, they both replied with "my dad", and I'm sure the they are quite proud of their accomplishments.  Drew's father, Gregory Hayes happens to be the band director of the Wind Symphony at Frisco High School, which was "weird at first but really kind of great," according to Drew.  His main goal in music to play at a level where everyone can enjoy the music he plays, and I think he has already met that one.  He hopes to attend SMU or Texas Tech this fall to study the horn further, and hopefully we'll all hear him in a symphony someday!  Annie's dream is to play for film scores, which was what I always wanted to do, too.  It was cool finding out that we're mutual film soundtrack geeks!

A goofy face on my part and Drew waiting to begin Gliere's Horn Concerto

A goofy face on my part and Drew waiting to begin Gliere's Horn Concerto

I hope you've enjoyed reading about the Frisco horn section that I had the pleasure of making music with, because it was a memorable experience.  I want this blog to be focused on celebrating other musicians, especially our piano/percussion students and the students I collaborate with.  Quick shout out to two Euphonium players at FHS that also blew me away: Aubrey Worley and Zach Altman.  

P.S.  Euphonium is my new favorite band instrument (toss up with the bass clarinet)

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Welcome to Allnutts4Music!

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Welcome to Allnutts4Music!

We are super excited about opening our new web page!  This part of our website will be dedicated to our music students and upcoming performance events.  

Laura has been hard at work for Texas UIL solo and ensemble with over 50 soloists to prepare for.

You will find new offerings on our website each week so stay tuned!  

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